This sound art installation explores listening modalities across borders: from
real and imagined locations defined by bird vocalizations to hybrid acoustic
spaces connecting ideas of traveling, migration, and politics across
geographical and natural contexts.
Ecophones 01 and 02 give audiences access to current bird vocalizations captured
by the Birdweather network (https://www.birdweather.com). Birdweather is an
uneven network of listening stations distributed around the world, connecting
sites at the intersection of citizen science, bird habitats and AI.
Ecophone 01 uses the international telephone country code system to allow
participants to dial a country, connect to a related Birdweather station, and
listen to the most recently recorded bird vocalization in that location.
Ecophone 02 allows specific bird species to call the audience
(phone rings) whenever a new recording of this species has been added to the
Birdweather database. The calling species are site and season/climate specific.
For an October exhibition in Catania, Italy, we focused on peak migration
species on their way from Sicily to Africa.
Ecophone 03 is based on sounds streamed by a microphone (built into a locus sonus
streambox) installed outside the stratozero.net artspace in Singen, Germany.
Every time a train passes by the artspace the phone rings at the exhibition site and triggers
pre-recorded sounds that mix with the realtime sounds in Singen. The prerecorded
sounds are contributed by sound artists around globe, these range from field
recordings in trains and train stations across Europe (Patricia Jäggi,
Switzerland), to soundscapes in Kolkata, India (Abinash Mallick, India) and from
AI-generated bird vocalizations (Studio McMullen_Winkler, USA) to the sounds of
renewable energy power plants across Europe (Christoph Brünggel,
Switzerland). The idea of the train is central to Ecophone 03 as both a
functional and metaphorical element, transporting sounds from far-away places
(existing in the physical world and digitally generated) into this hybrid
soundscape. A web-only version of Ecophone 03 can be accessed at: https://gardensandmachines.com/Ecophones/en.html
The choice of the rotary phone as a physical interface in this installation is
important for its inherent symbolic qualities: as an iconic object it represents
the act of listening in real-time and the collapse of spatial distances. The
seemingly complicated act of dialing a number highlights deliberate choices
leading to more intentional listening experiences. Finally, the urgency of the
phone’s ringer calls attention to the significance of the calls that are
received.
Credits: Lilian Zhao
(web programming)
Ecophones
McMullen_Winkler